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In actuality, however, this is impossible to do. The genre confusion of Yuri!!! on Ice is a result of using terms like “boy’s love”, “yaoi” and “gay anime” interchangeably. Some people have even said that it’s yaoi. I MEAN, COME ON!!!! (see also BE STILL MY BEATING KOKORO!!!)īecause Yuri and Victor’s relationship and their struggle to make things work is front and center in the series, though, many viewers insist that Yuri!!! on Ice is a boy’s love series instead of the sports anime that it claims to be. With Yuri!!! on Ice though, you have GOT to be dead inside to not pick up on the signs. You see two boys on screen bickering we see an OTP in the making. Fujoshi are, by their very nature, readers whose perception of the world is a little more gender-fluid than everyone else. So much so that it’s twisted our world view. So pro that we’ve built significant parts of our professional lives around studying our fandom things.Īll fujoshi read All Things Gay extensively. Then you’ve got people like me: professional fujoshi. You see two boys on screen bickering we see an OTP in the making. Others were turned off by the series BECAUSE it’s “too gay”, or because they felt like it was queerbaiting them. Some people loved the gay ships and canon gay couple. Some people loved the way the series portrayed figure skating, right down to actual figure skaters. I came into the fandom much later than most so my feed was already full of intense discussions on Yuri!!! on Ice‘s place in anime.

What did Yuri!!! on Ice bring to the table for critical studies and for storytelling in general?Įven after watching it twice, I still have so many feelings about this series.

Why is it important to talk about the genre of stories?.

If Yuri!!! on Ice isn’t BL, what is it?.

Does Yuri!!! on Ice queerbait or queercode?.

The question that I wanted to offer discourse on was: “Is Yuri!!! on Ice a Boy’s Love Anime?” Related questions to this include, but are in no way limited to: The framework used for the comparative sections of the analysis is narratology. The critical framework that I used during my panel was gender studies, with a specific literary and cultural focus on Manga Studies, Fandom Studies, Reader Response Theory, and genre. Please note that this article contains major spoilers for the series.īefore anything else, let me frame this discussion. They will also contain additional notes and points of discussion. These articles are designed to follow the flow of the presentations used by the speakers. As part of our commitment as a media partner of Born to Make History: A Yuri on Ice Fan Gathering, we are publishing transcripts of some of the panel discussions.